SELECTED WRITING by Jonathan Kimberley
A Proposition towards A Praxis of Treaty with International Country | Portals out of The Garden of Non, PhD | Australian National University & Kingston University London, 2024.
A Glitch, James Geurts, Refraction Principle (2018), essay with Michael Graeve, 2018. GASP, lutruwita/Tasmania.
Not My Garden | from Contemplation to Collaboration, Artsource Magazine, WA, Sept, 2017.
Willandra Wisdom Walk, ‘World Heritage Connect’, Fifth Edition, with Dan Rosendahl, December 2015.
Mildura Palimpsest Biennale #10, e-catalogue & curatorial essay, 2015. see: www.mildurabiennale.com
Unmapping the End of the World, with Yhonnie Scarce, Artlink Magazine, Issue 35:2 June, 2015
Lena Nyadbi, Dayiwul in Paris, Artlink 35:2 June, 2015. (See ONLY: Online E-Version corrected for significant editorial error).
Dayiwul in Paris, essay for the Australian Launch of Lena Nyadbi’s installation ‘Dayiwul Lirlmim’ (2013) National Gallery of Australia, 29 April, 2013, Musee du quai Branly, Paris, 6 June, 2013.
Tremezzo, essay published as component of solo exhibition of the same title, Bett Gallery, Hobart, Tasmania, 2013.
Country Unwrapping Landscape : Kuluntjarra World Map (The Nine Collaborations), MFA Thesis, University of Western Australia, 2010.
Lena Nyadbi: Painting My Country – Always, Niagara Publishing and Warmun Art Centre, Niagara Gallery, Melbourne, 2010.
Not My Garden, essay, Jan Manton Art, Brisbane, 2007.
Not My Garden, ‘Open Manifesto’, essay in journal, published by Finn Creative, Brisbane, Sept 2007.
meenamatta lena narla puellakanny : Meenamatta Water Country Discussion, artists book, collaboration with Jim Everett, published by Bett Gallery Hobart, 2006.
Lena Nyadbi (catalogue essay) for Beyond The Pale : Adelaide Biennial of Australian Art curated by Brenda Croft, 2000.
SELECTED BIBLIOGRAPHY
Peter Minter, Transcultural Ecopoetics and Decoloniality in meenamatta lena puellakanny: Meenamatta Water Country Discussion, in Stuart Cooke & Peter Denny (Eds.) Transcultural Ecocriticism, Global, Romantic and Decolonial Perspectives, Bloomsbury Publishing U.K. / Australia, Chapter 10, 2021.
Tim Martain, New Year’s dreaming returns, Tas Weekend, Mercury Newspaper, Hobart, December 17, 2017.
Mercury Newspaper, GASP Light NYE a cultural first for Glenorchy, Hobart Mercury, Hobart, December 14, 2016.
Daniel Browning, Unmapping the End of the World: is art a time-machine?, ABC Earshot, 19 October 2015. https://www.abc.net.au/radionational/programs/earshot/unmapping-the-end-of-the-world:-is-art-a-time-machine/6865264
Andrew Stephens, Mildura Biennale 2015 sends strange visions across the landscape, Sydney Morning Herald 11/9/15; and The Age Newspaper 12/9/15.
Liza Power, Walking to the End of the World, The Age, Saturday, September 5, 2015.
Jill Milroy & Grant Revell, ‘Aboriginal Story Systems: Re-mapping the West, Knowing Country, Sharing Space’, in Occasion: Interdisciplinary Studies in the Humanities v. 5, March 2013. https://arcade.stanford.edu/occasion/aboriginal-story-systems-re-mapping-west-knowing-country-sharing-space#_ftnref30.
Terry Smith, ‘Worlds Pictured in Contemporary Art: Planes and Connectivities’, in Caroline Turner, Michelle Antoinette and Zara Stanhope (Eds), The World and World-Making in Art, ANU Humanities Research Journal, vol. XIX, no. 2, July 2013, pp.44-54.
Anthony Gardner, Mapping South: Journeys in South-South Cultural Relations, The South Project Inc., 2013.
Alex Smee, ABC Open, https://open.abc.net.au/posts/station-days-a-happy-place-18jg0kz, 03 July 2013.
Maurice O’Riordan, ‘X’ Marks the Space: Roads Cross, Flinders University Art Museum’, Art Monthly 252, Aug 2012.
Jeff Malpas, ed. The Place of Landscape, Cambridge, MA, US: The MIT press (2011) pp. 19-22, 26.
Helen Norrie, Oculus, in conversation with Jonathan Kimberley, Oculus, Bett Gallery Hobart, April 2011.
Katie Mutton, Letter from Mildura – An indefinable line, Art Monthly Australia #236, Dec 2010 – Feb 2011, p.72
Nicholas Rothwell, Journeys to the Interior, Black Inc., Melbourne, 2010, p.284.
Anthony Gardner, Brave New Worlds: Jonathan Kimberley and the Kayili Artists, Eyeline, No.70, Dec 2009.
Helen Vivian, An Unlandscape of words and painting: from Meenamatta to Paradise, Artlink, June 2009.
Nicholas Rothwell, Kimberley in harmony, The Age, 22 June 2009.
Stephen Rainbird, Not My Garden, catalogue essay, Jan Manton Art, Brisbane, August 2007.
Sean Kelly, From an Island South, Artlink Vol27/No2, pp32-35, 2007,
Peter Hill, Apple Isle puts on 10 days to shake your world, review, The Age, 28 March 2007.
Susan McCulloch, McCulloch’s Encyclopedia of Australian Art, p.575, Miegunyah Press, Melbourne, 2006.
Jim Everett, ‘This is Manalargenna Country’, Keeping Culture: Aboriginal Tasmania, Ed. AJ Reynolds, 2006.
Roslynn D Haynes, Tasmanian Visions; ‘Country beyond Landscape’, Polymath Press, TAS, 2006.
Jane Stewart, From An Island South, catalogue essay, Asialink / Devonport Regional Gallery, 2006.
Bett Gallery Hobart & Devonport Regional Gallery, meenamatta lena narla puellakanny (Meenamatta Water Country Discussion), Kimberley & Everett Artists’ Book, 2006.
Erica Izett, Sitting Down with Indigenous Artists, New Directions in Kardiya Art, Artlink, Vol25/no2, pp.26, 2005.
Australian Art Review, Kimberley Redefines Landscape, 22 April, 2005.
Peter Timms, Margin Calls, The Australian Newspaper, Review, pp. R18-19, 4-5 September 2004
James Norman, Ten Days that shook the literary world (picture), Sydney Morning Herald, 14 March 2003
Bett Gallery Hobart, Future Perfect, collaboration with Gloria Andrews, exhibition catalogue & cover, 26 March 2003
Penny Thow, Connecting with the country, Hobart Mercury, 31 March 2003
Danielle Wood, Picturing your place, Hobart Mercury, 7 June 2003
