The Global Dome Unlimited
The Global Dome Unlimited
Devil Devil Dance
Devil Devil Dance
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Selected Art Projects
A Proposition Towards A Praxis of Treaty with International Country | Portals out of The Garden of Non
Diminished culture until we whitefellas decolonise ourselves
Unmapping the End of the World
Formal Informal (Tremezzo) The Spatiality of a Swiss Veggie Patch
Worlds End Highway
Tremezzo
The Global Dome Unlimited | Jonathan Kimberley & puralia meenamatta Jim Everett
Oculus
Kuluntjarra World Map | The Nine Collaborations
Old New World
Meenamatta Water Country Discussion (Italy) | Jonathan Kimberley & puralia meenamatta Jim Everett
Not My Garden
meenamatta lena narla puellakanny (Meenamatta Water Country Discussion) (Tasmania) | Jonathan Kimberley & puralia meenamatta Jim Everett
Travelling Water (Urlandscape : Postlandscape)
Urlandscape : Postlandscape (Blue Tier) Tasmania
Living Water, Travelling Water
Forests to Fields 1808-2003
+ Further Art Projects – see CV.
Selected Curatorial Projects
GASP (Glenorchy Art & Sculpture Park)
Julie Gough, Hunting Ground
James Geurts, Refraction Principle
Pakana Kanaplila Dancers & Gooniyandi Dancers, riyawina warruwa kanaplila | Joowarri Joonba
Sasha Huber & Petri Saarikko, PRESENT Remedies Tasmania
Janet Laurence & Tega Brain, Parliament: An island in an island
Justy Phillips & Margaret Woodward, Fall of the Derwent
Petri Saarikko & Chris Abrahams, InLight
Mildura Palimpsest Biennale #10, 2015
80 International Artists
Unmapping the End of the World
Wiimbia Mayii Kulpa Larna Bush Symposium
Emerging Indigenous E-Media Mentorship Project
Sunraysia Mallee Ethnic Communities Council Installations & Performances
Inland Residencies and Installations
Art is a time machine Symposia Series
Warmun Art Centre
Lena Nyadbi, Dayiwul Lirlmim (Barramundi Scales)
Gija Manambarram Jimerrawoon (Group Exhibition)
Churchill Cann, Wariwoony Joolany
Phyllis Thomas & Peggy Patrick, Nagarra & Naangari
Mabel Juli, Sublime Paintings
Lena Nyadbi, Lena Nyadbi
Mabel Juli & Tommy Carroll, Warrmarn
Earth (Group Exhibition)
Shirley Purdie, Burrum lirrkarn ngarri ngumbarra mangbu
Gija Two-Way Learning Program
Warmun Community Collection
Media Lab @ WAC

Forests to Fields 1808-2003

Jonathan Kimberley, Cloudglyph #22, 2003.

Forests to Fields 1808-2003
Bett Gallery Hobart, Tasmania. 2003.

Edward Kimberley was convicted of stealing ‘several parcels of muslin’ and transported from Coventry, England to Sydney on the First Fleet in 1788. He then became a free settler with a major land grant at Rokeby, in lutruwita (Van Diemen’s Land / Tasmania) in 1808.

As an eighth generation Australian whitefella descendant of a First Fleet convict and free settler to Tasmania, my responsibility is clear. I’ve been making work since 2003 that specifically critiques the fact-reality of the colonial invasion of palawa / pakana peoples country, lutruwita (since 1804). Actively de-colonising myself by listening to and working with the First Nations people whose country I now belong to in lutruwita has become my priority. This ongoing work follows numerous artistic and curatorial projects with First Nations peoples, that I am proud to have been part of since 1989.

This series of works are the result of my meeting pakana elder, Gloria Andrews in St Helens, Tasmania in 2003. Gloria invited me to make work on her country, particularly at the Blue Tier and the Bay of Fires, in meenamatta country, north eastern lutruwita (Tasmania). Gloria and I became close friends. It was also following this series, while I was working on my next series of new work at the Blue Tier, that I met another close friend and collaborating artist, puralia meenamatta Jim Everett (plangermairreener / pakana).

Jonathan Kimberley, Cloudglyph #33, 2003.
Jonathan Kimberley, Cloudglyph #27, 2003.
Jonathan Kimberley, Cloudglyph #23, 2003.
Jonathan Kimberley, Cloudglyph #20, 2003.
Jonathan Kimberley, Cloudglyph #21, 2003.
Jonathan Kimberley, Cloudglyph #18, 2003.
Jonathan Kimberley, Cloudglyph #19, 2003.
Jonathan Kimberley, Cloudglyph #28, 2003.
Jonathan Kimberley, Cloudglyph #24, 2003.
Jonathan Kimberley, Cloudglyph #29, 2003.
Jonathan Kimberley, Cloudglyph #10, 2003.

Special Thanks: Gloria Andrews (pakana), meenamatta country, lutruwita (Tasmania).

© Jonathan Kimberley, 2003



© Jonathan Kimberley 2024