The Global Dome Unlimited
The Global Dome Unlimited
Devil Devil Dance
Devil Devil Dance
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Selected Art Projects
A Proposition Towards A Praxis of Treaty with International Country | Portals out of The Garden of Non
Diminished culture until we whitefellas decolonise ourselves
Unmapping the End of the World
Formal Informal (Tremezzo) The Spatiality of a Swiss Veggie Patch
Worlds End Highway
Tremezzo
The Global Dome Unlimited | Jonathan Kimberley & puralia meenamatta Jim Everett
Oculus
Kuluntjarra World Map | The Nine Collaborations
Old New World
Meenamatta Water Country Discussion (Italy) | Jonathan Kimberley & puralia meenamatta Jim Everett
Not My Garden
meenamatta lena narla puellakanny (Meenamatta Water Country Discussion) (Tasmania) | Jonathan Kimberley & puralia meenamatta Jim Everett
Travelling Water (Urlandscape : Postlandscape)
Urlandscape : Postlandscape (Blue Tier) Tasmania
Living Water, Travelling Water
Forests to Fields 1808-2003
+ Further Art Projects – see CV.
Selected Curatorial Projects
GASP (Glenorchy Art & Sculpture Park)
Julie Gough, Hunting Ground
James Geurts, Refraction Principle
Pakana Kanaplila Dancers & Gooniyandi Dancers, riyawina warruwa kanaplila | Joowarri Joonba
Sasha Huber & Petri Saarikko, PRESENT Remedies Tasmania
Janet Laurence & Tega Brain, Parliament: An island in an island
Justy Phillips & Margaret Woodward, Fall of the Derwent
Petri Saarikko & Chris Abrahams, InLight
Mildura Palimpsest Biennale #10, 2015
80 International Artists
Unmapping the End of the World
Wiimbia Mayii Kulpa Larna Bush Symposium
Emerging Indigenous E-Media Mentorship Project
Sunraysia Mallee Ethnic Communities Council Installations & Performances
Inland Residencies and Installations
Art is a time machine Symposia Series
Warmun Art Centre
Lena Nyadbi, Dayiwul Lirlmim (Barramundi Scales)
Gija Manambarram Jimerrawoon (Group Exhibition)
Churchill Cann, Wariwoony Joolany
Phyllis Thomas & Peggy Patrick, Nagarra & Naangari
Mabel Juli, Sublime Paintings
Lena Nyadbi, Lena Nyadbi
Mabel Juli & Tommy Carroll, Warrmarn
Earth (Group Exhibition)
Shirley Purdie, Burrum lirrkarn ngarri ngumbarra mangbu
Gija Two-Way Learning Program
Warmun Community Collection
Media Lab @ WAC

Sunraysia Mallee Ethnic Communities Council Installations

Keven Kozaei, Untitled, 2015. Wooden boat, mallee branches, paint, earth. Photo: Fleur Ruddick.

Keven Kozaei (Iraq) | Rosina Byrne (Australia/Italy) | Masooma Haidary (Afghanistan)
Raihana Hashimi (Afghanistan) | Mah-gul Ibrahimi (Afghanistan) | Saria Jaffri (Afghanistan)
Hanifa Khudarahm (Afghanistan) | Tahira Khudarahm (Afghanistan) | Sadia Najafi (Afghanistan)
Petri Saarikko (Finland) | Kerryn Sylvia (Australia) | Emile Zile (Australia/Latvia)

Contemporary art installations by a diverse intercultural group of artists from many nations across Australia and around the world expanding on the biennale theme: Everywhere all at once…here.

An exciting new partnership between Mildura Biennale and SMECC generating opportunities for refugees, recent migrants to share their knowledge with the broader community. The opening day also included extraordinary Music & Food by Congolese, Greek, Sri Lankan, Bangladeshi, Afghan, Italian and Nepalese refugee communities. Solomon Islander musicians Willie Mae and Stephen Xlowaki, Tanzanian/Burundi musician Joseph Nyabenda, and Samoan performance.

Rosina Byrne, Invisible Visible, 2015. Woven pork intestines and sheep bungs, lights (detail). Photo: Danielle Hanifin.
Rosina Byrne, Masooma Haidary, Raihana Hashimi, Mah-gul Ibrahimi, Saria Jaffri, Hanifa Khudarahm, Tahira Khudarahm & Sadia Najafi, The Henna Project, 2015. Digital images printed on fabric. Photo: Fleur Ruddick.
Petri Saarikko, Kallio Kunsthalle | Ernst Collection, 2015. Installation view. Mixed media. Photo: Fleur Ruddick.
Kerryn Sylvia, Scribble and other endangered species, 2011-2015. Altered artist book, screen-print, vitrine, desk, chair, digital flip-book, unique state zines. Photos: Kerryn Sylvia
Emile Zile, Mildura Listening Project, 2015. Silent digital video. Dimensions and duration variable. Video still courtesy the artist.


© Jonathan Kimberley 2024