The Global Dome Unlimited
The Global Dome Unlimited
Devil Devil Dance
Devil Devil Dance
  • Projects
  • Writing
  • About
  • Contact
  • Home
  • Projects
  • Writing
  • About
  • Contact
  • Home
Selected Art Projects
A Proposition Towards A Praxis of Treaty with International Country | Portals out of The Garden of Non
Diminished culture until we whitefellas decolonise ourselves
Unmapping the End of the World
Formal Informal (Tremezzo) The Spatiality of a Swiss Veggie Patch
Worlds End Highway
Tremezzo
The Global Dome Unlimited | Jonathan Kimberley & puralia meenamatta Jim Everett
Oculus
Kuluntjarra World Map | The Nine Collaborations
Old New World
Meenamatta Water Country Discussion (Italy) | Jonathan Kimberley & puralia meenamatta Jim Everett
Not My Garden
meenamatta lena narla puellakanny (Meenamatta Water Country Discussion) (Tasmania) | Jonathan Kimberley & puralia meenamatta Jim Everett
Travelling Water (Urlandscape : Postlandscape)
Urlandscape : Postlandscape (Blue Tier) Tasmania
Living Water, Travelling Water
Forests to Fields 1808-2003
+ Further Art Projects – see CV.
Selected Curatorial Projects
GASP (Glenorchy Art & Sculpture Park)
Julie Gough, Hunting Ground
James Geurts, Refraction Principle
Pakana Kanaplila Dancers & Gooniyandi Dancers, riyawina warruwa kanaplila | Joowarri Joonba
Sasha Huber & Petri Saarikko, PRESENT Remedies Tasmania
Janet Laurence & Tega Brain, Parliament: An island in an island
Justy Phillips & Margaret Woodward, Fall of the Derwent
Petri Saarikko & Chris Abrahams, InLight
Mildura Palimpsest Biennale #10, 2015
80 International Artists
Unmapping the End of the World
Wiimbia Mayii Kulpa Larna Bush Symposium
Emerging Indigenous E-Media Mentorship Project
Sunraysia Mallee Ethnic Communities Council Installations & Performances
Inland Residencies and Installations
Art is a time machine Symposia Series
Warmun Art Centre
Lena Nyadbi, Dayiwul Lirlmim (Barramundi Scales)
Gija Manambarram Jimerrawoon (Group Exhibition)
Churchill Cann, Wariwoony Joolany
Phyllis Thomas & Peggy Patrick, Nagarra & Naangari
Mabel Juli, Sublime Paintings
Lena Nyadbi, Lena Nyadbi
Mabel Juli & Tommy Carroll, Warrmarn
Earth (Group Exhibition)
Shirley Purdie, Burrum lirrkarn ngarri ngumbarra mangbu
Gija Two-Way Learning Program
Warmun Community Collection
Media Lab @ WAC

After the Garden & Axis Mundi Mungo Labyrinth | Untitled Drawing (Unmapping the End of the World)

Jonathan Kimberley & Koji Ryui, Axis Mundi | Mungo Labyrinth & Untitled Drawing (for Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, poly-coated wire, string, found objects. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World (2015), Mildura Arts Centre, as part of collaborative installation with Julie Gough, Koji Ryui, Mishka Henner (sound), two channel HD video projections, charcoal wall drawing, sea shells, poly-coated wire, string, found objects, sound installation. Photo: Jonathan Kimberley.

Unmapping the End of the World
Collaborations by Jonathan Kimberley with Daniel Crooks and Koji Ryui.
Walking Country at UNESCO World Heritage Sites in Australia, Japan and Italy.
Mildura Palimpsest Biennale #10 2015 | Exhibition at Mildura Arts Centre (2015).

After the Garden (Unmapping the End of the World) (2015) and Axis Mundi | Mungo Labyrinth & Untitled Drawing (for Unmapping the End of the World) (2015); both as part of collaborative installation with Julie Gough & Mishka Henner (sound).

Unmapping the End of the World is a durational international, decolonial and experimental contemporary art project bringing together a contingent of fourteen First Nations, Australian, European and Japanese artists for a unique transcultural praxis walking journey across three UNESCO World Heritage Sites in Australia, Japan and Italy. The project then culminated in a major collaborative installation at the Opening Event of Mildura Palimpsest Biennale #10, 2015. More detail of overall project see here.

After the Garden (Unmapping the End of the World) 2015
Jonathan Kimberley & Daniel Crooks

After the Garden (Unmapping the End of the World) is a two-channel HD video projection and wall drawing collaboration between Jonathan Kimberley and Daniel Crooks, grounded in our shared journey on the Kumano Kodo pilgrimage in Japan.

Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World (2015), Mildura Arts Centre, as part of collaborative installation with Julie Gough, Koji Ryui, Mishka Henner (sound); two channel HD video projection, wall drawing, poly-coated wire, string, sea shells, found objects, sound installation. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World), 2015, Installation (detail), HD video projection, charcoal wall drawing, 2.4 x 8.5 metres. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, 2.4 x 8.5 metres. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, 2.4 x 8.5 metres. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, 2.4 x 8.5 metres. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World (2015), Mildura Arts Centre, as part of collaborative installation with Julie Gough, Koji Ryui, Mishka Henner (sound), two channel HD video projections, charcoal wall drawing, sea shells, poly-coated wire, string, found objects, sound installation. Photo: Jonathan Kimberley.
Jonathan Kimberley & Daniel Crooks, After the Garden (Unmapping the End of the World (2015) Mildura Arts Centre, as part of collaborative installation with Julie Gough, Koji Ryui, Mishka Henner (sound), two channel HD video projections, wall drawing, sea shells, poly-coated wire, string, found objects, sound installation. Photo: Jonathan Kimberley.

Axis Mundi | Mungo Labyrinth & Untitled Drawing (Unmapping the End of the World)
Jonathan Kimberley & Koji Ryui

Axis Mundi | Mungo Labyrinth & Untitled Drawing is a collaborative interaction between Jonathan Kimberley and Koji Ryui’s, untitled drawing (for Unmapping the End of the World).

Axis Mundi | Mungo Labyrinth, relates to Kimberley’s ongoing series, Tremezzo (2013-2015) which articulates particular intercultural spatiality that is neither appropriated nor original; landscape nor country.

Jonathan Kimberley & Koji Ryui, Axis Mundi | Mungo Labyrinth & Untitled Drawing (for Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, poly-coated wire, string, found objects. Photo: Jonathan Kimberley.
Jonathan Kimberley & Koji Ryui, Axis Mundi | Mungo Labyrinth & Untitled Drawing (for Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, poly-coated wire, string, found objects. Photo: Jonathan Kimberley.
Jonathan Kimberley & Koji Ryui, Axis Mundi | Mungo Labyrinth & Untitled Drawing (for Unmapping the End of the World) (2015), Installation (detail), HD video projection, charcoal wall drawing, poly-coated wire, string, found objects. Photo: Jonathan Kimberley.

Special Thanks: Koji Ryui, Daniel Crooks, John McBride, Walk Japan, Federico Troletti, Centro Camuno di Studi Preistorici, Alberto Marretta, Foresteria Nadro, Mildura Arts Centre, Danielle Hanifin.



© Jonathan Kimberley 2024